Unfortunately, this is the first article about TLK that I read(back in 2009)... Something reminded me of this and I'd like to dig it out again for everyone for a laugh.
http://people.smu.edu/qmyers/Lazarus%20 ... alysis.htm
"All's Not Well in Land of The Lion King"
by Margaret Lazarus
It's official: Walt Disney's The Lion King is breaking box-office records. Unfortunately, it's not breaking any stereotypes.
My sons, along with millions of other kids around the world, joyously awaited The Lion King. I was intrigued because this time Disney appeared to be skipping the old folk-tales with their traditional and primal undercurrents.
I hoped Disney had grown weary of reinforcing women's subordinate status by screening fables about a beauty who tames an angry male beast or a mermaid who gives up her glorious voice and splits her body to be with a prince.
So off we went to the movies, figuring we would enjoy an original, well-animated story about animals on the African plain. Even before the title sequence, however, I started to shudder.
Picture this (and I apologize for spilling the plot): The golden-maned -- that is, good -- lion is presenting his first born male child to his subjects. All the animals in the kingdom, know as Pride Lands, are paying tribute to the infant son that will someday be their king. These royal subjects are basically lion food -- zebras, monkeys, birds, etc. -- and they all live together in supposed harmony in the "circle of life."
Outside the kingdom, in a dark, gloomy, and impoverished elephant graveyard, are the hyenas. They live dismally jammed together among bones and litter. The hyenas are dark -- mostly black -- and they are nasty, menacing the little lion prince when he wanders into their territory.
One of their voices is done by Whoopie Goldberg, in a clearly inner-city dialect. If this is not the ghetto, I don't know what is.
All is not perfect inside Pride Lands, however. The king's evil brother Scar has no lionesses or cubs. Scar has a black mane, and speaks in an effeminate, limp-pawed, British style done by Jeremy Irons -- seemingly a gay caricature.
Scar conspires with the hyenas to kill the king and send the prince into exile. In exchange for their support, Scar allows the hyenas to live in Pride Lands. But property values soon crash: The hyenas over-populate, kill all the game, and litter the once-green land with bones.
Already Disney has gays and blacks ruining the "natural order," and the stereotypes keep rolling. The lionesses never question whether they should be serving Scar and the hyenas -- they just worry a lot. They are mistreated, but instead of fighting back these powerful hunters passively await salvation. (Even my 7-year-old wondered why the young, strong lioness didn't get rid of Scar.)
The circle of life is broken; disaster awaits everyone. But then the first-born male returns to reclaim power. The royal heir kills the gay usurper, and sends the hyenas back to the dark, gloomy, bone-filled ghetto. Order is restored and the message is clear: Only those born to privilege can bring about change.
This is not a story about animals -- we know animals don't behave like this. This is a metaphor for society that originated in the minds of Disney's creators. These bigoted images and attitudes will lodge deeply in children's consciousness.
I'm not sure I always understand the law of the Hollywood jungle, but my boys definitely don't. Scared and frightened by The Lion King, they were also riveted, and deeply affected. But entranced by the "Disney magic," they and millions of other children were given hidden messages that can only do them -- and us -- harm.